After many years of playing roundwound strings exclusively, I finally took the plunge and tried flatwound strings. I admittedly went into it with some skepticism, but I was surprised at what I found. In this post I’ll discuss why I decided to finally try flat wound, and why I think you’ll want to want to slap a set on your guitar.
Flatwound vs. Roundwound Strings
Construction
Roundwound and Flatwound strings share more similarities in their construction than differences. Both types of strings are made by winding a wire around a metal core wire. The top two strings—B and high E—share the same construction. The construction of the wound strings is where the differences lie.
Round Wound: Round wound strings are made by winding a round wire (usually steel) around a core wire. This winding style creates a surface with small ridges between the windings. Another feature of Round strings is they tend to have lower tension than Flatwounds. Roundwound strings are the most popular type of strings today.
Flat Wound: In contrast, Flatwound string construction means that the strings are wound with a flattened wire. This wire is then wrapped around the core wire. Because of the shape, the flatter winding is denser, and has contains less obvious ridges between the windings than round wound strings. Additionally, many Flatwound string sets feature a wound G string, instead of the plain G string typically found in Roundwound sets. Flatwound strings tend to have more string tension than Round strings. This is partly due to the construction, but also because many Flat Wound sets have higher gauge strings to begin with.
Feel
Round Wound
Roundwound strings are created by winding a metal wrap around a core wire. The ridges created by the windings result in a “textured” feel that is very familiar to players. Different brands of strings have a different feel, depending on the metal used on the outer coating of the winding.
Flat Wound
Flatwound strings feel smoother, and more “slippery”. The increased slickness is actually a benefit, because it results in less friction when fretting the string. This in turn results in lower finger noise. Finger noise is the squeaking sound that is often heard when fretting a note, especially on newer strings. The reason for these differences is that the flattened wire results in very little ridge between the individual windings. Note that while the High E and B strings are the same, Flatwound string sets often feature heavier gauges on the top strings.
Tone of Flatwound Strings
First off, I’ll say that I had some preconceptions going in. Players often consider flatwound strings jazz guitar strings for the unique sound that they produce. And rockers play roundwound strings for their increased overtones and sustain. More importantly the slinkiness of round wound strings is great for styles that require a string bending, particularly rock and blues.
To add to the mix, I tried a set of Half Round strings a couple of years ago, and did not care for them (I won’t mention the manufacturer other than to say that they were from one of the Top 5 string brands). Half Round strings are advertised as halfway between Round and Flat. Personally, I found them not drastically different from Round strings. The texture was particularly bad—there was a lot of friction, which made playing smoothly difficult. In retrospect, they may have been corroded.
Because of my experience with the Half Rounds, I doubted that I would really like Flatwounds.
My Impressions of Flatwound Strings
I chose my Hamer Newport Hollowbody to try out Flatwounds. This was a natural choice, since the guitar is a thinline hollowbody with a 24.75″ scale. The nice thing about thinline hollowbody is that they can live in both the rock and jazz camps, and everything in between.
The strings I used for this experiment are arguably the most popular and available Flatwound strings: D’Addario Chromes. I chose the 11-50 gauge, which is considered a jazz light gauge. D’Addario Chromes are known to be one of the best flatwound strings you can get. As soon as I put them on and strung them up, I was struck at how different they looked than Roundwound strings. The D’Addario are very clearly flat, and have a silvery sheen to them.
Flatwound Feel
The first thing I noticed was the tension, which was increased compared to my usual Curt Mangan Pure Nickel strings. Though both sets are 11-gauge, the strings are overall a little bit heavier: This is most noticeable on the low E string, which is .50 on the Chromes, compared with .48 on the Mangans.
Any reservations I had about the increased tension disappeared as soon as I started playing. The vaunted smoothness was there. The strings indeed felt “slick” to the touch. Something felt really “right” about them that is hard to describe. The were firmer in tension but more comfortable under my fingers than typical round strings.
Flatwound Tone
I plugged into my Quilter SuperBlock US with my usual settings. The first thing I thought was: This is the sound I’ve been looking for! As much as I like the Hamer Hollowbody, its thinline construction and solid spruce top ensure that it won’t ever sound like a deep jazzbox with laminate construction. The Chromes didn’t transport it to that zone, but I’ll say this: It got it closer than it’s ever been. The “thunk” sound that many jazz players seek was finally within reach.